AHT213 Study Guide - Identities: Resources 3

Gellatly, K. 2000, "Is There an Aboriginal Photography?" in The Oxford Companion to Aboriginal Art and Culture, (eds.) S. Kleinert & M. Neale, Oxford University Press, Melbourne, pp. 284-292

Reading 3.6

Hoorn, J. 1993, "Positioning the Post-colonial Subject: History and Memory in the Art of Gordon Bennett," Art and Australia, Vol. 31, No 2, Summer 1993, pp. 216-226

Reading 3.5

Neale, M. 2000, "United in the Struggle: Indigenous Art from Urban Areas," in The Oxford Companion to Aboriginal Art and Culture (eds.) S. Kleinert & M Neale, Oxford University Press, Melbourne, pp. 267-278

Reading 3.3

Onus, L. 1993, "Southwest, Southeast Australia and Tasmania", Art of the First Australians, (eds.), U. Krempel and B. Lüthi, Kunstammlung Nordrhein-Westfalen, Dusseldorf, pp. 289-296

Reading 3.4

Williamson, Clare. & Perkins, H. Blakness: Blak City Culture, Australian Centre for Contemporary Art, Melbourne, 1994, pp. 20-31.

E-Reserve

Yunupingu, G. 1993, "The Black/White Conflict," Art of the First Australians, (eds.), U. Krempel and B. Lüthi, Kunstammlung Nordrhein-Westfalen, Dusseldorf, pp. 64-66

Reading 3.1

Web Resources

Resources 3	Module: Identities	« GO BACK
Readings
Gellatly, K. 2000, "Is There an Aboriginal Photography?" in The Oxford Companion to Aboriginal Art and Culture, (eds.) S. Kleinert & M. Neale, Oxford University Press, Melbourne, pp. 284-292		Reading 3.6
Hoorn, J. 1993, "Positioning the Post-colonial Subject: History and Memory in the Art of Gordon Bennett," Art and Australia, Vol. 31, No 2, Summer 1993, pp. 216-226		Reading 3.5
McLean, I. "The Aboriginal Renaissance," in White Aborigines: Identity Politics in Australian Art, Cambridge University Press, Melbourne, pp. 98-110		Reading 3.2
Morphy, H. 1998, Aboriginal Art, Phaidon, London, pp. 221-260, 264–271, 319–368, 371-420		Set text
Neale, M. 2000, "United in the Struggle: Indigenous Art from Urban Areas," in The Oxford Companion to Aboriginal Art and Culture (eds.) S. Kleinert & M Neale, Oxford University Press, Melbourne, pp. 267-278		Reading 3.3
Onus, L. 1993, "Southwest, Southeast Australia and Tasmania", Art of the First Australians, (eds.), U. Krempel and B. Lüthi, Kunstammlung Nordrhein-Westfalen, Dusseldorf, pp. 289-296		Reading 3.4
Williamson, Clare. & Perkins, H. Blakness: Blak City Culture, Australian Centre for Contemporary Art, Melbourne, 1994, pp. 20-31.		E-Reserve
Yunupingu, G. 1993, "The Black/White Conflict," Art of the First Australians, (eds.), U. Krempel and B. Lüthi, Kunstammlung Nordrhein-Westfalen, Dusseldorf, pp. 64-66		Reading 3.1
Web Resources
Aboriginal Art Online: Art and Artists: Artist Biographies: Search Nelson: (for Michael Jagamara Nelson) http://www.aboriginalartonline.com/art/art.html
Aboriginal Art Online: Regions and Communities: Urban (for information about Urban Artists and Communities) http://www.aboriginalartonline.com/
Australian Museum Online: Features: Indigenous Australians: Background Info (for timeline 1500 –1900) http://www.amonline.net.au/index.cfm?
BMW World – Art Cars (for Michael Jagamara Nelson BMW M3) http://www.bmwworld.com/artcars/
Boomalli Aboriginal Artists Cooperative http://www.culture.com.au/boomalli/
Documenting A Democracy - Australia's Story: Enter Site: 4. Documenting a Democracy: Yirrkala bark petitions 1963 (Cth) (for Yirrkala bark petitions) http://www.foundingdocs.gov.au/
European Network for Indigenous Australian Rights (for information about the Stolen Generation) http://www.eniar.org/stolen.html
In the Artists Footsteps: Artists (for Albert Namatjira ) http://www.artistfootsteps.com/
Monash University: Publications (for article by Julie Fenwick ‘Worrying about our Land' http://www.arts.monash.edu.au/history/
National Gallery of Victoria: Collections: Aboriginal and Torres Strait Islander Art (for special features on the Aboriginal Memorial) http://www.nga.gov.au/Home/index.cfm
Stolen Generations http://www.stolengenerations.ca/
The Stolen Generations (for Apology Australia) http://www.apology.west.net.au/ [top of page]